Author: antheacarns

  • Bad Hamlet (excerpt)

    Bad Hamlet Dr. Tennant: Now it should probably be noted that Ophelia’s onstage for the “To be or not to be” soliloquy. Prof. McCoy: Which makes it not a soliloquy if he’s talking to her. Or if he’s performing for Claudius and Polonius’ benefit. Dr. Tennant: He’s really quite the manipulator. You know, it makes…

  • Review: Athens’ National Theatre’s “Titus Andronicus”

    Titus Andronicus at Athens’ National Theatre People unused to Shakespeare sometimes complain that his plays are so hard to understand, he might as well have been writing in a different language. With practice, Shakespeare becomes easier to follow, but the National Theatre of Athens’ production of Titus Andronicus would have stretched even the best-read Shakespearean…

  • “Odin’s Horse” program note

    [From the 2009 Pittsburgh Eco-Drama Festival, sponsored by the Carnegie Mellon University Center for the Arts in Society and the School of Drama.] NOTES ON THE PLAY Odin’s Horse was the winner of the 2004 Ecodrama Playwright’s Festival in Oregon, one of the first festivals of its kind in the United States. Set in the…

  • “She’s Making Movies” (excerpt)

    [Excerpt from “‘She’s Making Movies’: The Blair Witch Project and Mulvey’s Theory of the Gaze,” written as the culmination of my critical writing studies at Carnegie Mellon.] Mulvey’s three gazes and The Blair Witch Project Mulvey’s theory of the three gazes relies on traditional cinematography, because her analysis of film’s scopophilic pleasures is predicated on…